Officine
Saffi Lab unveilsTerrain-
a majestic ceramic wall installation designed by Hannes Peer. The
composition unfolds as a stratified landscape in which distinct
ceramic masses collide, overlap, fracture, and realign. The
surface operates like a tectonic system — governed by tension,
displacement, and rhythm rather than symmetry — forming a dynamic
sculptural choreography.
Conceived
in close dialogue between Hannes Peer and the technical team of
Officine Saffi Lab, this high relief represents an extraordinary
technical undertaking, requiring advanced ceramic engineering,
meticulous material control and many months of research and
production.
Peer’s
practice draws on historical references while remaining firmly
anchored in the present. His research echoes key figures of
Italian design culture such as Giò Ponti, Lucio Fontana, and
Fausto Melotti, as well as the architectural experimentation of
the 1960s and 1970s, when ceramics were rediscovered as a primary
construction material capable of transcending pure ornament. Yet
this legacy is not approached nostalgically. It is reactivated as
an operative framework for today. At the core of Peer’s approach
lies what he defines as a “nostalgic utopia”—a design tension in
which memory becomes an active force, generating new formal and
spatial possibilities. Looking to the past as a way of moving
forward,Terrainproposes
ceramics as a relational device: between history and
contemporaneity, surface and depth, construction and landscape.
The
chromatic language draws from landscapes where color is
inseparable from land and light. Mineral reds, ochres, and dusty
tones evoke the heat and horizontal vastness of Arizona; pale
blues recall expansive desert skies often associated with Georgia
O’Keeffe, introducing moments of suspension and openness; deeper,
saturated hues reference Mexico’s earth, pigments, and craft
traditions. This nuanced palette is the result of extensive
material research conducted by Officine Saffi Lab. Through the
development of bespoke glaze formulations inspired by diverse
geographic traditions and experimental techniques, the Lab has
transformed the ceramic surface into a stratified, almost
geological field. Each module becomes a micro-landscape: never
flat, never merely decorative. Beneath the surface lies a world
shaped by chemistry and physics—by crystalline reactions, mineral
deposits, and, at times, the unpredictability of the firing
process itself.
Terrainultimately
proposes a renewed vision of ceramics within contemporary
architectural space.